raw chicago banger ...

next dessert island discs output

the 2nd album from melbourne based vocalist, songwriter, broadcaster and producer chelsea wilson on vinyl.

vinyl only label !

a 1967 soul classic from jackie wilson back on 180 gram vinyl.

fresch summer 2019 tunes on wilson ltd be fast!

the 3rd album from reuben wilson, originally released in 1970, is back on vinyl via blue note.

excellent trip from jazzy laidback to drumandbass .. juhu

8 track lp with download code

the 2003 album from cassandra wilson back in the blue note tone poet series - audiophile reissue on 180 gram vinyl, remastered from the original analog tapes.

the second keep on w...in ep continues hell yeah label boss marcos on going quest for the perfect remixes.

vinyl only release!

big on techno and house floors!

galactic good and fresh electro tunes with acid flavor

the mysterious wilson phoenix returns with another batch of muscular techno joints that ll wipe the floor with any half-hearted 4/4 pretenders. considering how sought after his earlier releases are, don t expect this to hang around for long. the beastly 909 kicks on -dorphin- would slot in perfectly with head front panel s own blown out take on peak time rabble rousing techno, while the kick-clap sync on dexed will get fists a-shaking. it s not all blunt drums though - there s plenty of peppy colour splashed all over this record to make it stand out from the crowd. this ain t no monochrome chugging business!

limited edition of 350 hand-numbered copies.

soulful house music

blues reissue, pressed on 180 g vinyl

2018 reissue

phat storming acid / techno

fabio monesi is back with his say wot!? ep!

ny house on west end edits incl. shirley lites, forrrce and b.t.

the law of seven refers to the spiritualist philosopher gurdjieffs idea that the evolution of phenomena proceeds according to a universal seven-step process. clay tells us that while this idea did not strictly factor into the composition of these tracks, you could abstract some elements into the musical creation process. gurdjieff was quite a thinker, but also composed music so i thought the lines i was drawing carried some weight. in particular his notion that creation proceeds through increasing restrictions which i find to be incredibly relevant to my process at least. time limitations and performance settings particularly seem to allow me to be far more productive than just working freely with no solid end point in mind

und hier kommt das vinyl zur exzellenten, dritten ausgabe von greg wilsons edit-serie -credit to the edit-. mit 8 ausgespielten highlights und raritäten aus 70s disco (space, chaz jankel), indie-dance (psychemagik) und weiteren teils exotischen fundstücken (mike pickering’s t-coy, chakachas, red rack’em).

the buzz around the first wilson phoenix release was huge - good luck finding a copy of that one! the mysterious techno entity returns for round two and delivers the goods once more with some razor sharp club cuts that smartly straddle vibes without losing their way. -expansion- is a fist-pumping, 90s-indebted techno workout with an urgent stomp at its heart - the pointed motor city stabs and raw 909 drums are a gift for anyone wanting to whip the crowd up. -space being- is a wilder affair with bright and bold synth leads splattered over a sizzling electro beat. -field control- mans the b side with a robotic throwdown that should tickle electro, wave, new beat and house heads as much as techno fiends.

after releasing their yantar lp digitally last year, hell yeah now serve up a much anticipated vinyl version of richard somerville and craig wilson s perfectly horizontal sounds. it features two of the superb originals with remixes from the beat broker and los gatos escobar. somerville & wilson have appeared on ism records, dwdk (danny was a drag king), paper records and music for dreams and count the likes of tensnake and gerd janson as fans of their laidback and charming grooves, and this ep is a real slab of heat that will surely sizzle souls across the world this summer.

four fresh jared wilson tracks on his own label 7777 in collaboration with glasgow s dixon avenue basement jams. 4 tracks influenced by acid, house, techno, roland, make noise, michigan and the great lakes.

limited edition of 350 hand-numbered copies.

recorded in philadelphia in 1969, the deirdre wilson tabac’s sole album is a beautiful blend of funk, jazz and soulful pop. possessing the complex grooves, thrilling breaks and ethereal weirdness that the rotary connection pedalled so brilliantly, the lp failed to connect with audiences upon its original release.
in the decades since, it has deservedly attracted a considerable cult following. however, almost inevitably, it has become increasingly tricky to pick up a copy in good condition for anything less than eye-watering sums. as such, we’re delighted to present the first officially licensed vinyl reissue of this undoubted masterpiece of freaky funk-rock, limited to just 500 copies.

body music, mind music, ass-shaking and head-boggling, clay wilsons third release on the bunker new york is a dance ep that manages to be both restrained and cacophonous, speaking to his classical training as well as his years as a dj, producer and sound tech. since we first met clay as a new-to-new york city bunker party regular back in the public assembly days, through releasing his earlier music and having him join us at numerous label showcases around the world, we’ve come to know him as an exceptional producer and dj, an essential part of the bunker family and a regular fixture in our lineups. this new release is an expression of the deep relationship weve all forged through years of raving together of freaking out to an unreleased track on the dance floor only to find out your friend made it and then getting a crew together to remix it and put it out!

a special treat for all acid house lovers - three dixon avenue basement jams bundled up for the price of one! contains releases dabj-1203, dabj-1221 & dabj-1225.

do i love you (indeed i do)/sweeter as the days go by war 1965 der erste 7inch release des legendären motown-produzenten und komponisten frank wilson und sollte ab mitte der 1970er jahre die britische northern soul-szene im sturm erobern. outta sight veröffentlicht diesen legendären klassiker, dessen originalausgabe als wertvollste schallplatte der welt gehandelt wird, erstmals legal außerhalb von motown. eine absolute northern soul und wigan casino-nr.1 und der letzte song, der in diesem kultclub gespielt wurde.

this record is a collaborative between marq spekt and experimental, proto-new wave musician gary wilson (stones throw). it’s rare that you get the opportunity to work with the actual artist rather than just sampling his records. gary opened his vaults and provided sample soundscapes. some of these instrumentals date back to 1973 and may have been heard before. others may not. the ending result is a pure creative expression and meshes hip-hop, psychedelic, jazz and funk. soak up the vibrations and enjoy!
this is the kind of idea that makes you enjoy the fringes of rap more than what’s in the spotlight. with that said, “broken mazes” sounds weirder on paper than it does in the headphones. gary wilson is an awesomely strange dude with some outré music under his belt, but for this project spekt wisely sticks with the more accessible sides of wilson’s catalog. it’s all breezy jazz-funk with some vague psychedelic touches for extra oomph, a wide-open feld for spekt to run his free-flowing bars. the result is relaxed and enjoyable, if at times a bit unfocused – kinda like a good open-ended improv session by a talented jazz band.

label honcho fabio monesi return on his own platform with a two-tracker. if -ancient gate- is a raw-punchy-electro-house tool, - wishing on the stars - hark back to the classic sound of some of the greatest fxhe records.

mehr northern soul-raritäten aus den 1960ern!

highlights from the planned follow-up to pacific ocean blue. newly designed 2lp set on green vinyl, housed in a gatefold sleeve with download code included.

delroy wilson the original ‘cool operator’ was also known to many as ‘teacher’. a title given to him as he unselfishly taught the up and coming singers including one youth dennis brown, the art and delivery of singing technique. delroy’s rich tone to his voice added a depth to any song that he chose to sing. delroy wilson (b.1948 kingston,jamaica) began his musical career at the school that was coxonne dodd’s studio one label. after a brief stop in 1969,which saw delroy working for producer sonia pottinger’s tip top label. again producing such hits including ‘it hurts’ and ‘put yourself in my place’. the 1970’s saw delroy wilson’s arrival at bunny ’striker ’lee’s door and what would result in a winning formula,scoring hit after hit. it is from this great period in delroy’s career that we have compiled this selection of killer tunes,cut with the drum and bass rhythm kings themselves sly dunbar and robbie shakespeare.such classis as ‘who care’ ,’can i change your mind’,’get ready’,’you must believe me’ and the timeless title track to this collection ‘here comes the heartaches’. an album of great tracks cut with ‘the hitmaker from jamaica’ bunny lee and his team. a match made in heaven….enjoy the set….

drawing on a pedigree of lush synth experimentation and cutting drum arrangements, alfredo mazzilli has been pushing his own brand of hypnotic techno over the past several years, charting releases with lanthan audio, weekend circuit and edit select. now, blankstairs is proud to announce the first u.s.-based release for the italian producer with vanaheimr, a pair of new tracks coupled with remixes from clay wilson and hiver.

ding. steve murphy returns with a banger for the mighty wilson
steve murphy returns on wilson records with a solid electro ep that hark back to the classic sound of some of the greatest international deejay gigolos records.

spanky wilson (born c.1947)is an american soul, funk and jazz vocalist, who has performed internationally and recorded several albums since the late 1960s.

limited release of 350 numbered copies for rsd 2017.

same track on both sides.

super rhythm trax release their first record of 2017 and it’s a return for jared wilson who steps up with four tracks of deep acidic house music. these tracks burrow away and are certified ear-worms from the opening ‘getting that feeling’ with it’s warm bassline complimented by lush pads and on the other end of the scale, the sparse menace of ‘it’s the message’, it’s another great ep from the detroit acid don.

fabio monesi returns on his own wilson records with a four grimy hardware house cuts.

lithe clarinet dances around tranquil piano, relaxed guitar decorates velvet synth textures and unhurried percussion makes an occasional appearance, as if to remind us that times still passing. growing beards more like, proper deep one. tip!

nice price deal !!! roger sanchez / lissat & voltaxx mixes!

the next instalment in the dubplate series sees our very own scrimshire step up to the plate for the fifth time!
having gained huge amounts of radio play for his own productions, as well as the occasional cheeky re-edit, scrimshire brings us two firing reworks of a couple of musical rarities covering latin, soul and disco angles.
his re-work of the 1975 brazilian obscurity tatarue by giovana aims both barrels firmly at the dancefloor, while his extended edit of the morris wilson’s version of rappers delight, entitled bebopper’s delight, thankfully extends the original’s 1’35” length with some typically scrimshire twists and turns along the way.
once again, we hope you enjoy!